snackosaurus wrote:
laura mulvey's 'visual pleasure and the narrative cinema.'
That's always a good place to start.
Bazin and Eisenstein are key. From there, move onto Andrew Sarris, Robin Wood, Peter Wollen. Maybe Gilles Deleuze if you like being confused. Roland Barthes too.
In fact, just get Film Theory and Criticism (whatever the latest edition is). It's got all the essentials.